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This Month's Features in Art and Writing: Click on the Artist's names to enter their websites and learn more.

THESE 3 ARTISTS ON THE TOP ROW ARE RESPONSIBLE FOR THE ARTWORK INCLUDED IN THE UPCOMING FULL LENGTH POI DOG PONDERING RELEASE ENTITLED: "7"

VIRGINIO FERRARI

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VIRGINIO FERRARI

Verona Italy / Chicago USA

Mr. Ferrari's sculptures are featured throughout the
booklet artwork for PDP's album "7".  The works we
selected from his vast catalogue are from a certain series
he did in the 1960's. We thought that they had a
wonderful organic quality that worked well with Dzine's
Cover image "Classic Dub Classics".
 
Virginio Ferrari is the Father of my friend Marco.
I met Virginio when Marco invited me over for dinner
at the family home in Hyde park. We talked long into
the night about art and life.  Afterward, I was so inspired
I moved to Hyde park.
Virginio has a big playful heart, and he's  beautifully 
mischievous and passionate about art and life.
He is definitely Consiglieri to those of us who aspire
to make a life out of enjoying our work. 
(F.Q.O.) 

DZINE (Carlos Rolon)

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DZINE

Dzine (born Carlos Rolon 1970, lives in Chicago)

Dzine's "Classic Dub Classics" is featured on the cover
of "7". It is a photo of an installation piece comprised of:
24 kt  gold leaf, turntable, and glass beads.

I met Dzine at the Gaijin Hotel. We collaborated together with Kahil el Zabar and many other musicians and poets in Juba collective. Juba had a month long artist in residency in Bordeaux France, during which time Dzine  and I became fast friends. He's a great rascal, and a devoted artist and father. I liked him right off the bat, and I love his art. 

Metallic paint, gold leaf, a multitude of colors, clear acrylic finishes, found objects (turn tables, bicycles etc.,), and  glass beads are just some of the tools Dzine uses to achieve what he wants from a piece.

(F.Q.O.)

MARCO GIOVANNI FERRARI

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MARCO GIOVANNI FERRARI

Hyde Park, Chicago


 A collection of Marco's Video stills comprise the poster contained
in the package for "7".  The images are from Video he shot, he then
manipulated  the color until he got the desired effect he wanted.
Marco also does documentary film work, video art installations, and he is currently finishing up songs for his debut recording.

Marco filmed and directed the video for "Simple song", Co-shot and directed the video for "Natural thing", and filmed / Produced the PDP DVD "Audio Visivo".  He is currently finishing a video for "Perfect music". Marco is one of my best friends and collaborators. Many a nights around a bottle of wine have cooked up art projects that have kept us busy for weeks afterward like two school boys cutting class.

My favorite of which was the silent film for the "Carmen" performance w/ the Sinfonietta... (a sort of surrealistic silent film for a high schoolplay with a top notch orchestra!) Marco recently finished "Full Circle", an independent documentary feature film on the life and career of his Father, sculptor Virginio Ferrari. Marco also does live video projection of his work during PDP concerts.
(F.Q.O.)

ARTICLES FOR PERUSAL  (click on photos for more)

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Amos Ferguson

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Michael "Rollo Banks" Malone

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Tony Fitzpatrick

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HARDWARE DEPARTMENT
PDP's Frank Orrall and (film installation artist) Luke Savisky get lost in the hardware store, and come out with a few ideas for some urban armor:
"The Trashcan Conquistadore", "T.V. Head" & "The Electric Eagle Dancer"  (Photos: Chris Jacobs)

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Frank Orrall and Luke Savisky in the backyard at 4 a.m.  (Video still by Marco Ferrari)

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Paintings by Frank Orrall

"Diamond"



                                                            
"Gabby Pahinui"   

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"Carmen"

This is a series of video stills from the movie Marco Giovanni Ferrari and Frank Orrall made for the collaboration with the Chicago sinfonietta for the performance of the surrealistic mini opera with themes from "Carmen"

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Poi dog pondering with the Chicago Sinfonietta (photo by Matt Carmichael)

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Natural Mysteries and Wonders

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"Trying to breathe Hawaii's past into the present:" Prose by Frank Orrall

"Trying to breathe
Hawaii's past
into the present:"

plate lunch stand
with an old tuna fish can
for an ash tray.

grade school
photo with floral patterns
on shirts and dresses,
our brown faces, white teeth
above bare feet.

beer in the
back yard,
and an open guitar case,
someone's
aunty doing
Hula
in a tank top,
sexy,
and thick with good living.

picking puka shells
at sandy beach
before the sun rise,
with sea turtles
floating just beyond
the shore break.

buying lunches
from a truck at the beach,
packed in a card board box,
wrapped  with white string,
chop stick, napkin,
2 scoop rice,
macaroni salad
and teri beef.

picking sea weed out
of our pubic hair
in the outdoor
fresh cold water shower
at makapu'u beach park.

seeing Gabby Pahinui wild eye'd
and lost in a bar's parking lot at night,
after drinking at a koko marina bar,
trying to numb the loss
of a vanishing era of an innocent island,
Atta, Blah, Joe Gang, Sonny and Gabby's mythical
waimanalo backyard, slack key,
guitar soul soothed the whole 1970's island.

coming down off the ridge
into valleys along muddy trails,
strewn with broken open fallen guava,
pink and teaming with fruit flies,
the moist forest along streams
feeding ginger blossoms,
walking down into the dryness
of the flat land
of the valley mouth.

stealing mangos off the trees.

Picking watercress
from the crawfish filled fresh water
spring fed flats of Beano's
Pearl Harbor farm,
eating it right there,
standing in the water.

spear fishing with Kaipo and John John
at Ka'a'ava,
them teaching me how to lure a squid from it's hole,
find the fish in a lava bed,
reminding me to let the little ones go,
and to only spear the big fish,
... and only what you can eat.

Hanging with the men
as they buried the kalua pig
wrapped in banana leaf,
encased in hot rocks
in the ground over night,
talking story until dawn,
when we dug up
the delicious steaming meat.

Val Ching weaving hats
at Waikiki beach
for tourists,
a retired fire fighter
now "beach boy",
his once hard body
and brown leather skin now slightly soft
with the gentleness of middle age,
he, sleeping with my mother at night,
teaching me to "throw net"
for fish in the day.
practicing in the park,
using tree leaves for pretend fish.

the whole crow's nest bar room
all laughing to Kent Bowman
(aka "kk cow manua"),
drinking primo beer.

long gone
kailua drive in
and portlock pier.

plump frogs hopping across
the wet grass on a rainy night,
before pesticides all but killed
them off.

snails on the sidewalk
in the dewy morning
on the way to school.

cock-a-roaches running for cover
when we'd switch the kitchen light on
in the middle of the night.
the clicking of gheckos on the window sill.
the purr of island doves outside my bedroom
in the early morning.
the clatter of myna birds in the banyan trees
in the red streak of sunset.

a brown paper bag
filled with plumeria,
the needle and thread sticking to
our fingers from the flower's milky sap,
as we made leis out on the lanai.

old Chinese man behind the counter
of a cracked seed store with a tide chart on the wall,
huge glass jars filled with pickled plum.

Japanese lady grinding ice
into shave ice cones after school.

the smell of resin and catalyst
soaked fiberglass in the garage,
as we patched a surfboard.

my cat's rough tongue
licking the salt of evaporated ocean
off my skin
when I got home from the beach.

Jerry lopez:
The soul surfer with the Buddha's hands,
who's bones must have been
wrapped in a mystic's skin
to be that Zen like calm
above a bone crushing reef.
His relation to the water
had nothing to do with profession.
It was spiritual and sensual.
He was devoted to E'hukai beach
and something simple and eternal...
His woman must have had to make peace with the ocean.
(Who could stand in the way of such love?)
- or - (to share him with her like that).

the friggit birds circling high above
the drooping still wind palm fronds
in a Kona weather calm
before a storm that could last days
or weeks,
full of wind thrashing,
white water wave capping,
while we searched the shore line
for big green glass fish net balls
that broke lose and drifted all the way
from Japan.

an old Hawaiian man
floating way outside the line up
on a homemade wooden paipo board,
nobody drops in on him.
in the shore break
we all are bobbing in the ocean,
waiting like seals with our hair
slicked back by the salt water.
an incoming set is
greeted with hoot's and hollers
from body surfers jockeying for position
with swimfins and mostly friendly
young man aggression.

buying
fresh ahi poke' at foodland,
sand still on our feet,
no shirt, no slippers,
wet trunks.

no shoes, no shirt, no problem.